No Time For Fear
[First posted 11/9/21]
There is only the experience of my being forever here and now.
Dialogues of Love, Grief, & Survival Beyond Death — 21st Century Reports from the Afterlife through Contemplative, Intuitive, & Physical Mediumship.
[First posted 11/9/21]
There is only the experience of my being forever here and now.
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This gallery presentation is the first of what may be a 4-part series, as
guided by the 4 Seasons. Thus, this first one is called “Klex of the I Ching
– L’Été 2025”.
Other previous painting projects manifested with certain individuals,
including Boris Pasternak and William Hurt, can be found HERE. (Once there, scroll down a bit to locate their works called "Spirit Artifacts").
Originally I was only working alone, exploring the possibility of
expressing the Rune Stones in some kind of painterly manner. Somehow, in the
ways of mediumship and art that are and most likely will always be
inexplicable, Hermann was drawn to the energies I was projecting whilst
handling the Runes and various art materials to see what might be done. Of
course I was quite excited and opened up the gateway for his continued contact,
which has since become a more established and steady portal between us.
However, it soon became clear that in spite of having transitioned 103 years
ago, he was still essentially confused and scattered about his actual transition.
Later this lack of expected clarity was explained by the basic lack in his earthly
beliefs, understanding and experience of The Afterlife. It was also eventually
revealed that his sudden appearance in my art studio was not random, but part
of a sophisticated, ongoing campaign to awaken him to the spiritual clarity
that is the birthright of us all into the Realms of Spirit. Such campaigns are
usually known as “spirit rescues” and by my acknowledgement and willingness to
engage with him and his unfolding transmutation, was onboarded to the ”rescue
team.”
After I did a lot of research on his life, greatly aided by Damion Searls’
book “The Inkblots”, "Hermann Rorschach's Psychodiagnostics - Newly Translated & Annotated 100th Anniversary Edition: (Hogrefe Publishing Corp) and also several hard-to-find writings by his wife, began
to reach my own clarity as to his current state of mind and how to assist his
continued spiritual enlightenment. It took more than an earthly month of time
for him to finally come to an understanding that he was not in a dream state,
nor drugged in some way, nor in a medical coma of some kind. This same month
also gave me time to establish the fact that while on earth, he gave very
little thought or exploration into the possibility of life after death — not
that he wouldn’t have been able to do so with the well-known brilliance and
energy he was known to have brought to his psychiatric practice and for the immense
love for his wife and two children — but he was far too focused on and
satisfied with life in the present. Also, he was just at the beginning of the
career he chose over instead becoming an artist, and so was not prepared for
his sudden transition at the age of 37 from a burst appendix — the symptoms of
which he had purposely ignored, choosing instead to focus on the needs of his
patients, until it was too late.
[“Synchronistically” I was also able to locate and acquire an original
set of the 10 inkblots, which are supposedly not ever allowed to be obtained by
anyone other than certified specialists. I myself am certified and licensed in
the US as a trained psychotherapist of many years, but even that doesn’t qualify
me to own and use them. However, as it so often happens in the mediumistic,
spiritual matters that manifest in my life, and as part of the orchestration
that brought Hermann and I together, also brought an unexpected resource of a particular
collector/hoarder’s basement. And lo, they found their way into my hands for
study and a deepening understanding of our artistic collaboration. At the time
of my online searching, I wasn’t able to even find viable reproductions of them,
so at some possible blurry risk, I am including the images of the 10 original blots
here in this blog posting (see below).
The Reader is encouraged to study these and compare them with those Hermann and
I have manifested.]
At first I assumed that our work with the Runes would be part of his development, but as he achieved more and more clarity and his brilliant mind was able to grasp and accept the complex reality of what was happening between us, he began to resist the Runes, as they didn’t interest him. He had been aware of them while on earth, and had even explored them briefly when developing his “blots”. But he had actually and secretly been drawn to the I Ching system, which was hardly known or recognized in the West/Europe, and most certainly would not have been acceptable on a professional level of a doctor of Western Medicine. [See Note: 1 below] The translated text did not achieve broader cultural influence until after Richard Wilhelm’s German translation in 1923, (a year after Hermann transitioned) which coincided with increased Western interest through figures such as Carl Jung, who wrote the very excellent forward to Wilhelm’s translation — highly recommended!).
And so after I finally understood what he was trying to convey to me, and
ceased trying to force him to concentrate on the Runes, he was able to break through
my resistance and the project which would become “Klex of the I Ching – L’Été 2025” began!
It took us about 2 months of exploring various materials — paper, paint, ink, specialized pencils, and wax — as well as techniques in folding the many and various kinds of paper — as well as producing hundreds of failures — that we turned away from all other already-established processes for making basic ink-blots (and there are many) and finally developed our own successful and reliable protocol. The Klex on view at the Risen Gallery of Dreams are all on only one or two particular kinds of watercolour paper, applying water-based inks (over 120 different kinds and colours so far) and manipulating those inks in certain ways onto paper that has been folded in certain ways. Many of the inks are complex formulae, instilled with all kind of metallic shimmering and sheening, as well as shading substances. The original “Rorschach Blots” are 9 9/16ths X 6 5/8ths inches in size – a size that took Hermann and the publishers ages to arrive at for some unknown reason. Our images are mainly 7 X 10 inches, with a few at 6 X 9 inches.
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NOTES:
(1) Hermann Rorschach (1884–1922) was a Swiss psychiatrist and psychoanalyst
best known for creating the Rorschach inkblot test, a projective psychological
test designed to analyze personality and unconscious thoughts. Originally
interested in art, influenced by his painter father, Rorschach combined his
artistic background with medical science, graduating in medicine from the
University of Zurich in 1909. He began experimenting with inkblots as a
diagnostic tool while still a student, fascinated by how different people
interpreted ambiguous shapes. After working in Swiss psychiatric hospitals, he
published his foundational book, Psychodiagnostik, in 1921, detailing
the use of 10 inkblots to assess mental health. He died prematurely at 37, but
his inkblot test has remained widely used in psychology, psychiatry, and
related fields to understand personality and diagnose mental illness.
Hermann Rorschach created his inkblots by
combining his interest in art and psychology. Some scholars assume he was inspired
by a childhood game called Klecksography, where inkblots were made and
stories created about them, and that he refined this playful technique into a
scientific tool. Jung and even Thoreau, among many others had played with inkblots
in those days.
However, Damion Searls, in his book “The
Inkblots”, a very good biography of Rorschach, feels that “Klex” (the German
name for “inkblot” was the nickname given to Hermann when he was at the elite, 6-year
Gymnasium, an academic high school, by his fellow students. It was
standard for the young men to give each other a nickname, and in his case, “Klex”
did not mean “inkblot” but that he was known to be very good with pen and ink,
and who drew quickly and well. (There are archived examples of the charming but
very sophisticated drawings and paintings, as well as highly-sophisticated puppets
he made for his children.)
Later, on, in his psychiatric practice, rather
than simple random inkblots, Rorschach carefully crafted each blot with
symmetrical contours meant to evoke specific yet ambiguous images. Between 1917
and 1920, he experimented with over forty inkblots on psychiatric patients and
observed how those with different mental disorders, especially schizophrenia,
responded variably.
Rorschach selected fifteen blots for their
diagnostic potential and later reduced them to ten for publication due to
practical constraints. These ten cards include both black-and-white and colored
symmetrical inkblots designed to provoke a wide range of perceptions around
animals, humans, objects, or abstract shapes. The test works by encouraging
individuals to project their unconscious thoughts onto these ambiguous images,
revealing insights into their personality and cognitive functioning. The
process involves showing each blot to a subject and recording their spontaneous
interpretations, which are later analyzed to detect patterns associated with
different psychological conditions.
(2) The I Ching, also known as the "Book of Changes," is an ancient Chinese divination text dating back over 3,000 years. It functions both as a philosophical system and a tool for guidance, describing the fundamental principles of reality and the dynamics of change through the interaction of complementary forces called yin and yang. The core of the I Ching consists of 64 hexagrams—figures made of six stacked lines that are either broken (yin) or solid (yang)—each representing different states or processes of change. Traditionally, divination is performed by casting yarrow stalks or coins to generate a hexagram, which is then interpreted through the text's verses and commentaries to provide insight and advice on various life situations. The I Ching has had a profound influence on Chinese philosophy, including Taoism and Confucianism, serving as both an oracle and a deep ethical guide.
The Original "Rorschach Blots":
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| "Vast emptiness, nothing holy!" ~ Bodhidharma (1) |
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| "As for the men in power, they are so anxious to establish the myth of infallibility that they do their utmost to ignore truth." — Boris Pasternak |
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| Oceanus-Tethys |
I must be very very caring and consciously,deliberately selective and picky about my moment to moment thinking. My Now signal. The universe always says yes. I say yes.
Power is in my thought and not my reaction to life.
Pay less attention to what is and more attention to who I really am, which is really What Is.
I am a center in God’s Being. It is the pulse of Life in all there is to me.
I am the child of God and heir to all the Father hath. As I let my inner self see things in their entirety and in their right relation, I know that the Spirit of Life and Power is back of all that is visible in this world.
Everything I need today will come to me.
I declare: Life. Abundance. Clarity. Tranquility. Brilliance. Illumination. Immortality. Prosperity. Abundance. Health. Wealth. Opulence. Quietude. Alignment. Peace. Ease. Tranquil peace. Peaceful tranquility. Perfect health. Perfect peace. Perfect tranquility. Perfect Abundance. Perfect ease. Easy peace. Eezy Peezy.
My word shall accomplish that which I please because it is not I, but the Father within me who doeth the work. Today I lose myself in the One Mind of God. Today I center my thought in His mind and my word flows directly from it. Everything I say today shall be spoken from that “ Secret place of the Most High.”
Thought or Imagination of the Spirit is the great reality of Being, and all material facts are only correspondences.
I am a center in God’s Being. It is the pulse of Life in all there is to me.
I am the child of God and heir to all the Father hath. As I let my inner self see things in their entirety and in their right relation, I know that the Spirit of Life and Power is back of all that is visible in this world.
God is Omnipotent Power in me. I am now in a totally fearless state of mind. Neither change nor problem rob my peace. This is simply so because I have ceased looking for help and solution outside of myself. I turn within and let God’s Mind reveal what is already known to It beforehand.
My Now signal
An interval, which is preparation for the good to come, and which sometimes is negatively thought of as a delay.
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Painting by AGoforth; to view other paintings: Gallery of Dreams.
~ Thomas Troward
I am free to be.
"Stars on a Pond" painting by AGoforth; to view other paintings: Gallery of Dreams.
. . . more copies of my private notes that have slowly emerged over the many years . . .
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| "Poppies 1" from the series, "101 Poppies" |
Power is in my thought and not my reaction to what’s going on around me.
Rather than first taking action, I first allow my vibration to adjust itself.
All thoughts of fear, doubt, worry, and anxiety are removed from my mind, now and forever now.
Now I rise and rest in relaxation as an easy, cooperative component of universal harmony — now.
My life is constantly renewing itself; therefore now is new and I am able to let my life continually evolve forward as it also continues to fade into the past.
The forward manifesting and its receding could be conceptualized and mentally experienced as happening simultaneously, therefore merging in such a way that any anxious experience of time is rendered equalized and balanced, and so therefore I can only rest in the nowness of new, and the newness of now.
I rest in the nowness of new,
and the newness of now.
I no longer try to change outer things. They are simply a reflection. I change my inner perception, and the outer reveals the beauty so long obscured by my own attitude. I concentrate on my vision and find my outer view transformed. I find myself attuned to the grandeur of life and in unison with the perfect order of the universe.
I’m putting the boat in the water wherever I am, and my knowledge that the stream is ever flowing toward all that I have become and am becoming is enough for me to feel satisfaction with where I am.
I let God be God in me.
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| "Horizon VI" (click on image to see a larger version) |
Painting by AGoforth; to view other paintings: Gallery of Dreams.
Freedom is not merely the absence of restraint but a state of belonging and love, rooted in correspondence.
True spiritual freedom, then, is realized not in isolation but in empathic communion and communing with Source, which is also one’s very own Spirit.
Freedom is feeling presence, not an absence.
[More notes from my private writings]
Meditation is the art of letting go of the tensions of the world so that I can once again be conscious that: “I am in the center of the divine flow.”
I let my mind and heart release all that disturbs me. I let my body be still and all the frettings of my body and all that surrounds it. I let the earth and sea and air be still and heaven itself; and I think of spirit as streaming, pouring, rushing, shining into me, through me and out from me in all directions while I sit quietly. The whole infinite process is in support of me, will never let me go, and I can never get out of it. The truth is that I am always in this relationship with the infinite even though I am not always conscious of it.
[Continued notes from my private writings]
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| "Sunset, Sunrise" |
When I completely accept this moment, when I no longer argue with what is, the compulsion to think lessens and is replaced by an alert stillness. I am fully conscious, yet the mind is not labeling this moment in any way. This state of inner nonresistance opens me to the unconditioned consciousness that is infinitely greater than the human mind.
When I fully accept that I don't know, I give up struggling to find answers with the limited thinking mind, and that is when a greater intelligence can operate through me. And even thought can then benefit from that, since the greater intelligence can flow into it and inspire it. Sometimes surrender means giving up trying to understand and becoming comfortable with not knowing.
Mystery
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Painting by AGoforth; to view other paintings: Gallery of Dreams.
[More notes from my private writings]
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| "Marsh Mallow Dreams of Fiona" |
Thought or Imagination of the Spirit is the Great Reality of Being, and all material facts are only correspondences. In other words, the Great Reality of Being arises into many diverse kinds of forms, dream-like, or dreamily, from our awakening from dwelling in what may be called “underconsciousness”.
We interpret this dream dwellingness as “the world” or “our world”. This Dreaming Reality increasingly and continuously emerges and expands from our gradually awakening consciousness into an evolving, consciously alive experience of Living Reality that continues to unfold unceasingly — forever awakening.
For most embryonic awakening beings, at first their personal and unique experience of Reality will be indistinguishable from sleeping and from sleepy dreaming. We continue to sleepily, and still mostly indistinguishably, experience the rising and falling, the in-and-out contrasting rhythms of the universal tides of the Great Ocean that is one’s Resting Source. These “tides” are the “breathing” of Resting Source. Gradually we will begin to more consciously distinguish this contrasting rhythm of dreaming realities. We will then begin to increasingly align in union with the Universal Rhythms when we relax and resist not — resting and drowsing, so to speak — to go along, always without worry, floating and drifting with the ebb and flow of ever-arising Reality manifesting from the Infinite.
Our dreaming is an ever-emerging awakening into further personal and personalizing reality — reality is an ever-emerging experience into further dreaming. We can continue to distinguish this rhythm of dreaming realities, increasingly relaxing with decreasing resistance, without worry, floating and drifting with the ebb and flow of ever-arising Reality manifesting from the Infinite.
And then, at last, with awakened and yet never-ending awakening awe at the un-articulatable Glory of Never-Ending, Unending Mystery, we will continue our Journey, Forever Onward — consciously. One awakens in the dream, while the dream continues on . . . .
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Painting by AGoforth; to view other paintings: Gallery of Dreams.