The Risen: The geology of spirit.

Monday, January 30, 2012

The geology of spirit.

[First posted 3/26/11]

Just for the heck of it, I re-scanned Boris's image at 300 dpi with certain enhancements, to see how it would appear here. (Sorry it's a little crooked.) Of course it depends on the resolution of one's computer screen, but keep in mind that this is a 3x5 card. Click on the image below to see closer details. Most of us will be able to then click again on the image to enlarge it even more. My computer has refined resolution, so I don't know how many can see the "geology" of the image, which appear (to me) as complex ridges, whorls, miniature streams and valleys created by the precipitation of molecules of pigment. The biologist's loupe I use reveals much more nature.

[Keywords: precipitated art, boris pasternak, card, hoyt robinette ]

3 Comments:

At Sun Mar 27, 05:10:00 AM 2011, ellede said...: The effect makes me think of paint on glass over the photo, smeared but not affecting the picture. Interesting!
At Sun Mar 27, 10:52:00 AM 2011, August Goforth said...: To me, one way of seeing it (there are many ways, actually) is that Boris's face appeared in four-dimensional space (which would take pages to explain further) and then molecular pigment was literally precipitated onto it; how it got onto the 2D paper eludes me, but it reminds me of how at some seances, a Risen person can briefly materialize a hand, dip it in melted paraffin, dip the wax-covered hand in cold water to set it, and then dematerialize the hand so that a complete cast of the hand remains.
This is totally unlike the photographic process where the first source, light, is reflected from an object and then fixed by a second source, the medium, onto the 2D object.
At Sun Mar 27, 09:11:00 PM 2011, ellede said...: He's doin' it to mess with your mind! ;)

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: Name: August Goforth; Location: Manhattan, New York, United States

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"Creativity is the principle of novelty. Creativity introduces novelty into the content of the many, which are the universe disjunctively. The creative advance is the application of this ultimate principle of creativity to each novel situation which it originates. The ultimate metaphysical principle is the advance from disjunction to conjunction, creating a novel entity other than the entities given in disjunction. The novel entity is at once the togetherness of the 'many' which it finds and also it is one among the disjunctive ' many' which it leaves; it is a novel entity, disjunctively among the many entities which it synthesizes. The many become one, and are increased by one. In their natures, entities are disjunctively 'many' in process of passage into conjunctive unity... Thus the 'production of novel togetherness' is the ultimate notion embodied in the term concrescence. These ultimate notions of 'production of novelty' and 'concrete togetherness' are inexplicable either in terms of higher universals or in terms of the components participating in the concrescence. The analysis of the components abstracts from the concrescence. The sole appeal is to intuition.-- (Alfred North Whitehead, Process and Reality, p. 26)

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"Because we do not know when we will die, we get to think of life as an inexhaustable well. Yet everything happens a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more. Perhaps not even that. How many times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless." -- Paul Bowles, The Sheltering Sky

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"The instrument of thought, which has produced this world that does not work properly, is no longer valid. So perhaps this instrument of thought is worn out. Is there another instrument we can use?" -- Krishnamurti

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"...Nature gets credit which should in truth be reserved for ourselves: the rose for its scent, the nightingale for its song, and the sun for his radiance. The poets are entirely mistaken. They should address their lyrics to themselves and should turn them into odes of self-congratulation on the excellence of the human mind. Nature is a dull affair, soundless, scentless, colourless; merely the hurrying of material, endlessly, meaninglessly." -- Alfred North Whitehead - English mathematician & philosopher (1861-1947)___________________________________

". . . keeping the Risen concept of weaving in mind, perhaps at this point it can be sensed that what we have before us, from which we are inseparable and as reflected in this book, is a Supreme Tapestry. There appears to be a Very Grand Design which we all follow, either in awareness or not, co-creatively or not -- recalling that creative means fun. As we weave we are free to make it up as we go along in any way we please, simultaneously staying within the Grand Design as imagined by Higher Imaginals, of whom we an inseparable part. The Grand Design is a work of perfections intermingled with imperfections, solutions with mistakes, and stillness within movement. The Higher Imaginals are many things, but for our purposes here, it suffices to say that they are very advanced and evolved individuals, or Higher Selves." (from The Risen: Dialogues of Love, Grief & Survival Beyond Death; Chapter 13, Mundus Imaginalis, p. 165).

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Monday, January 30, 2012

The geology of spirit.

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